Definitely a transformed sound from his earlier stuff, but I’m like really really digging it. I’m with John Richard’s and the cast of KEXP on this one…I just can’t stop playing this song!…
First thing I love about PHOX is how unique and vast the sound is that comes in through so many different angles, what are some of the guiding principles the band gets behind to deliver this?
I think one of our guiding principles is to have as few guiding principles as possible, haha. We all come from very different musical backgrounds, and we encourage each other to use our weapons and styles as efficiently as we can. We try to keep in mind that what we are doing is serving and enhancing the song, and hopefully not taking away.
You guys are blasting into one of the best musical season’s of the year with self-titled debut album in hand just days after the official start of summer, what’s in store? and what are you most looking forward to?…besides Seattle of course
Seattle! Duh! But really, we are going to be touring pretty consistently for the rest of the year. We are embarking on our first headline tour which should be great! I’m a sucker for the west coast, so that’s what’s calling my name this summer.
Speaking of the recent release of the self-titled debut album, tell us more about how the mold of that record got started, what went into it leading up to recording, the magic once hitting the studio, and what came out?
The new album was an interesting process. We had some song ideas coming together in the fall, and then come winter we were hitting it pretty hard, including a few pre-production sessions with our producer, Brian Joseph. Despite all this “preparation” it actually ended up being a fairly rushed process anyway. That being said there was definitely a magical aura at April Base (the studio), and we all feared having to leave by the end of our stay. We are so grateful that the Eau Claire crew invited us into their world. What came out is a slightly more refined PHOX, but still the same spirit and essence at the core.
I see you’ve already sold out months down the road in the hometown of Madison, WI…how powerful is that hometown love? and how has it shaped the band to this day?
To say that Madison has shaped us is perhaps an understatement. Madison is the reason this band ever happened. It was where we found a home together. Our very first shows were because we had friends in Madison who wanted to help, and there are friends and fans who have come to every show since day 1, when we had no songs, no practice, and no idea what we were doing. It’s incredible how much Madison has believed in us, even before we believed in ourselves, and that kind of trust and love is very special.
Love these gals and how they do what they do. Melancholic melodies transcend so gracefully from these Swedish sisters with such beautiful interwoven harmonies. Embodying a renaissance country aura and the ability to deliver song after song of such high caliber, enjoy the great tunes of First Aid Kit’s Stay Gold.
Another one where I should have trusted KEXP a little bit more, lots of love especially from John “In the Morning” Richards, but then again, that’s just often part of the journey. One of those bands that you hear, don’t pause enough on, move along, come back to and the switch goes off. I often find that particular path relinquishes bands/albums that I really fall for with a solidarity that will keep me listening for the long haul.
I know the band’s coming off a recent SXSW endeavor with lots of great reviews following. Was this the bands first SXSW trek? What was the experience like for y’all?
We actually had our first meeting with SXSW last year. A strange experience the first year. Total mayhem and chaos, but this year it was much better. We planned the whole trip better and got more rest and enjoyed it a lot more. It’s an amazing place to be for a band, even though it’s pretty crazy. Unpacking your gear in some ally, bringing it up on stage 15 minutes prior to show, play for 30 minutes, and then get everything off stage and pack it all up in the streets. Amazing!
I’m in love with your integration of steel drums, tell me more about how that came to be and they dynamic it brings to the overall sound?
Ingrid bought the steel drum at Iceland Airwaves in 2012 in Reykjavik. The steel drum has got a lot of sound and touches frequencies where other instruments don’t, but it can also take up a lot from. But Ingrid has managed to incorporate the instrument into the songs and the band in a beautiful way.
How would you compare and contrast playing here in the States with Europe, and your home country of Norway?
Well first off the US audience is much more direct. If they like it, they’ll immediately come up to you and tell you. Also, compared to Norway, the audience here is bit more eager to check out new music. And also they buy a lot of music here, which is great.
What’s the strangest thing that’s happened to the band on tour?
Strangest thing. Well there isn’t that many strange things happening. But we’ve actually had a couple of followers who came to our shows in Austin, then in Houston and again in Dallas. That’s pretty strange for us, but in a good way.
What feelings are brewing reflecting upon the completion of the band’s debut album Silent Treatment while anticipating its early April release?
We’re really excited and can’t wait for the album to be out over here. The album has received some pretty good reviews in Norway, and people here seems to like the way we play, so hopefully people will enjoy the album as well!
The War On Drugs preceding album Slave Ambient was an extremely rich piece of work that left a strong imprint on me. It’s one of those albums that I find myself going back to often. With that said, the bar for the forthcoming album Lost In The Dream was extremely high. And the verdict…not disappointed to the least! I’d like to call the first single “Red Eyes” a standout, but its hard to amongst all the other greatly crafted songs on the record. Sorry Reagan, I don’t see this war ending anytime soon.
I love getting the chance to highlight great local Seattle music that’s brewing, and the new EP Fairweather Friends from The Horde and the Harem is just around the corner (4.12.14). Really dig this track that they shared with me, and I hope you all enjoy it too, look to find them playing a Seattle Living Room Show in May.